RA: 无限的东西不能是许多个，因为许多(many-ness)是一个有限的概念。要有无限，你必须辨识或定义无限为合一(Unity)；否则这个词汇就没有任何意义。在一个无限的造物者之中只有合一的存在。你们都看过合一的简单例子，一个三棱镜(prism)展现所有颜色来自于阳光这是关于合一的简化示范。 事实上，没有对或错，也没有极性，你们舞动着穿越心身灵复合体(complex)，你们此刻以不同的变貌娱乐自己，但一切终会在某个时点达成和谐。 这些变貌在任何情况下都不是必须的，而是由你们每一位所选择，做为另一种理解包罗万有的完整合一的方式。现在不是说一个类似或有点像的东西，你是一切事物，每一个存有，每一个表情，每一个事件，每一种情境，你是合一，你是无限。你是爱/光，光/爱。你是你本是。这就是一的法则。

From the renowned classicist and MacArthur Prize winner: a new collection that explores myth and memory, beauty and loss, all the while playing with--and pushing--the limits of language and form. Anne Carson consistently dazzles with her inventive, shape-shifting work and the vividness of her imagination. Float reaches an even greater level of brilliance and surprise. Presented...(展开全部)

【作者介绍】 史蒂夫•卡瓦纳（Steve Cavanagh）英国畅销书作家。 出生于北爱尔兰贝尔法斯特，18岁时前往都柏林研读法律。现为民权法律师，曾参与多个万众瞩目的案件。拥有高阶法庭辩护资格，教授多门法律主题课程（但他其实只是喜欢讲笑话）。后因文学创作的巨大成功他放弃了法律工作，开始全职写作。 屡获国际大奖——金BI首奖、柴克斯顿年度老牌诡异犯罪小说奖、法国Polar侦探小说奖、北爱尔兰艺术委员会ACES奖以及优秀读者奖。多次入围英国犯罪小说作家协会伊恩•弗莱明钢BI首奖、年度爱尔兰犯罪小说奖，提名巴瑞奖等。作品版权输出20余个国家及地区。 【译者介绍】 林零，淡江大学英文系毕业，浮沉于出版业。喜欢黑猫。无方向感，但擅长一人旅行。

Nigel Strangeways was employed to investigate a minor mystery in the offices of the publishing house of Wenham and Geraldine. Someone had maliciously tinkered with the proofs of an autobiography in which a retired and outspoken General had savagely attacked one of his colleagues. Consequently the firm was threatened with a disastrous libel suit. Strangeways had not made much he...(展开全部)

A boy growing up in the Soviet Union of the 1960s and 1970s visits his French grandmother each summer, accumulating new tales of a Russia he never knew.

From legendary storyteller and #1 bestseller Stephen King, whose “restless imagination is a power that cannot be contained” (The New York Times Book Review), comes a thrilling new novel about a good guy in a bad job. Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And n...(展开全部)

The dangers of immediacy: why speed, flow, and direct expression now dominate cultural style Contemporary cultural style rejects mediation in favor of direct access, extreme affect, and rapid uptake. These are values it borrows from the economic conditions of “disintermediation”: cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what...(展开全部)

The dangers of immediacy: why speed, flow, and direct expression now dominate cultural style Contemporary cultural style rejects mediation in favor of direct access, extreme affect, and rapid uptake. These are values it borrows from the economic conditions of “disintermediation”: cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what...(展开全部)